Ars Nova Ensemble: Jonatan Sersam, harmonicas Live from Sound Spaces Festival 2018, Galleri 21 in Malmö curated by Hertzbreakerz
Jonatan Sersam – “Pareidolia”
for viola d'amore
Alessandro Perini – “On that day my left ear became a frog” for violin with amplified custom-made bow
Alessandro Perini - "On that day my left ear became a frog" for violin with amplified custom-made bow
Alessandro Perini – “Steel String Quartet”
From the concert series: “Matter, Virtuality and the Expanded Body” Concert I – “Matter” March 14th, 2017 – Inter Arts Center, Malmö (Sweden) Curated by Hertzbreakerz Ars Nova Ensemble: Michael Carlqvist David Sundberg Nguyễn Thanh Thủy Stefan Östersjö For more info and score download, click here. http://www.fb.com/hertzbreakerz http://www.instagram.com/hertzbreakerz http://www.twitter.com/hertzbreakerz
Francesco Del Nero – “D’un tratto”
for percussion and two toy pianos
Alessandro Perini – “Three studies for two voices” – for two performers
Alessandro Perini – “N-S” for cello, piano and tape
Alessandro Perini – “Space/Spectrum” (2017) for kalimba, three toy pianos and electronics
• Simone Beneventi, Kalimba (stage, front) • Alessandro Perini, toy piano I (back) • Francesco Del Nero, toy piano II (adjacent room, left) • Jonatan Sersam, toy piano III (adjacent room, right) From the concert “This is not percussion” August 5th, 2017 – Inter Arts Center, Malmö (Sweden) Curated by Hertzbreakerz In collaboration with Ars …
FRANCESCO DEL NERO – Come punti di una trama di sabbia
Presented during the concert series "Matter, Virtuality and The Expanded Body", "Come punti di una trama di sabbia" is a new work for ensemble, electronics and RGB lights. It represents a sort of journey into my mind, in which the virtual element has both the function of creating a soundscape around the audience and the function of …
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JONATAN SERSAM – “Scenen.Handlingen”
The piece SCENEN.HANDLINGEN for voices and ensemble examines and analyzes text fragments from Inger Christensens collection of poems DET, written in 1969. A handful of texts constitute the basis for a series of miniatures, where the internal proportions and structures of the texts set the conditions for the compositional ideas. The absence of dramatic situations …
